Dream on

pexels-photo-279415.jpegI love to write, it’s what I do. As you know, Blind Curve is now available through this site and at Amazon. My concern is that I’m preaching to the same choir. Most of you have heard about my publishing journey in one form or another. I’m asking a huge favor. Share this post with your followers, friends and family. It will mean a lot to me.

The job of marketing one’s work is more angst ridden and time consuming by far than writing the book. Right now I’m working on my episodic novel, Hunter’s Light, Pella’s Quest (episodes posted every Friday), but it is a challenge to do that and work on getting attention for Blind Curve. I have marketing and advertising sales experience, but the focus has always been on something else or for someone else. This time the spotlight is on me, or at least on my books. My dream come true is to look at my royalty statement and see something other than zeros.

How can I be sure readers will notice my baby among the thousands of others on the shelves? Well, I can’t, that’s why, as a writer, I must hit the streets and get my message out there. I know my book is compelling and dramatic, a mystery wrapped up in a puzzle, and that the characters feel like people you know and want to root for. How do I let potential readers know? That is part of what I have learned on my writing and publishing journey, so far.

Writing is my dream job and I love it, even though I know the following applies to me and most writers:

  • Nobody knows or cares who you are as a writer, not even your family and friends. If you want to sell them a book, you have to ask if they want to buy it.
  • Writing is an isolating profession. You don’t write 2000 to 4000 words a day drinking coffee at the coffee shop, but it is also a business. If you don’t sell your book, you’re not valuing your work.
  • Writing is mentally and physically taxing. Writers like David Baldacci and Margaret Atwood continue to be successful because they are dedicated writers who devote their work time to writing, not sitting at the coffee shop.
  • Writers must be ready for criticism and be able to see their books for what they are: works in progress. Editing, revising, proofing, rewriting, tossing the whole damn thing out at times, that’s all part of writing. This is so hard, much more difficult than you can imagine. It’s work, not unlike the work you do.
  • When I think my book is just too precious for words, I know I’m probably on the wrong track. I’ve learned to put the work aside for awhile and then read it like a reader. Read it aloud. Hear how it sounds.
  • I’ve learned to trust my instincts. If something seems off kilter in the narrative, my readers will likely get the same vibe.
  • I’ve learned it is essential to be confident. If I don’t believe in my characters, no one else will. If I don’t believe in my concept I wander in a wilderness of wrong words.
  • Writing is like dreaming when you’re awake. You convert those dreams into stories and poems and songs. My hope is that what I write will ring a bell with readers and lead them to dream along with me.
  • Writing is a business. As a writer, I must keep that in mind.
  • Writing is an itch. The only way to scratch that itch is to sit down in front of a keyboard and slog it out. The itch is what keeps me at the computer.

Yes, writing is the itch that must be satisfied with words and the magic that happens when those words come together in a great story. The itch is why I never stop dreaming.


Please Follow, Like, Comment and Share this post. Your feedback is important.

I am an indie author of six books and two chap books of poetry. Check the BOOKS tab to find out more. Follow me at www.vandermeerbooks.com, https://www.facebook.com/vandermeerbooks, Amazon Author Central. I’m also a member of the Las Vegas Literary Salon, a group committed to sharing the work of local writers. Follow LVLS at lvnmlitsalon.org. Thanks for reading and sharing this post.

Book Review: The Ballad of Huck and Miguel

The Ballard of Huck and Miguel

Huck – yes that Huck – or a reasonable facsimile thereof, is back in all his boyish glory in this modern-day tale about a gutsy survivor. If you’ve read Mark Twain’s classic, The Adventures of Huckleberry Finn, you know Huck has experienced physical and emotional abuse at the hands of his father, a violent drunk who Huck wants to believe has some good in him somewhere.

In this tale, Huck endures a journey across the country from Missouri to California, with Pap (Huck’s father), in search of fortune and the easy life; Huck in hopes of escape from relentless beatings when Pap is drunk, which seems to be most of the time.

In his attempts to evade Pap once they reach California, Huck encounters several people who in time prove to be better friends than he could have imagined. One of them is Miguel, a Mexican immigrant whose goals in life are to remain in the United Stated and reunite with his wife and daughter. When Pap’s evil plan to get Huck back results in two innocent women being attacked, Miguel fears he will be blamed and sent back to Mexico, leaving his wife and child behind.

Thus begins an adventure down a different kind of big river, the concrete sided river that runs through Los Angeles. At no time is Huck safe from Pap’s determination to visit bodily harm on him, maybe even death. Miguel and Huck encounter many interesting characters along the way.

The pace is fast, the characters engaging and the illustrations by Daniel Gonzales captivating. The book has received high acclaim for capturing the tone of a well-told tale from another era. It is a deceptively simple premise that explores what immigrants face in uncertain times and offers backwoods wisdom about complex social issues.

Huck and Miguel have quite an adventure and remind us what friendship is all about. I give it a hearty thumb’s up.


Title: The Ballad of Huck and Miguel
Author: Tim DeRoche
Illustrator: Daniel Gonzales
Publisher: Redtail Press
Price: Hardcover, $23.65

 

Finding Family

Finding Family

Finding FamilyWhat happens to a widow whose quiet life is interrupted when an estranged niece arrives on her doorstep with three children and a dog of questionable breeding in tow? From the moment they blow into her life on a windy fall night and Krank the dog pees on her carpet, Lilly Irish begins a life-changing journey. Always one to do the right thing for the right reasons, Lilly takes them in knowing her resources are limited. Between the dog tearing up one thing after another, and the older boy tangling with schoolyard toughs, Lilly is put to the test. What she learns along the way is how lonely she’s been, and her capacity for love she didn’t know she possessed. Annie and her children are looking for a home. Will they find it with Lilly? Soft Cover E-book


Sharon Vander Meer has been a storyteller since childhood and finds inspiration in everyday life. In addition to “Finding Family,” Vander Meer has published three novels, a book of inspirational readings and a chap book of poetry. Her author website is www.oneroofpublish.com.

Back on track

Despite a hiccup in the first print run, I am back on track with Blind Curve. Thank you for your patience. Below is an overview of Blind Curve. It is now available from me and through Amazon as a paperback and as an e-book. I will appreciate you purchasing the book, and if you enjoy what you read, please post a review on Amazon and in GoodReads.

Authors in the wonderful world of publishing cannot make it without readers, and for me, that is you.

A book launch party is in the planning stage. More soon.

Blind Curve

 

Apologies!

BLIND CURVE

If you received a complimentary copy of Blind Curve or purchased a copy, it will be replaced! I just found out that somehow lines are missing from pages, leaving readers a bit puzzled and probably a whole lot dissatisfied. I reviewed the text I sent in and it is all there. I don’t know what happened, but I’m working to correct it. Please bear with me; it will take time. Again, my deepest apologies. I know to whom I gave copies and most who purchased books. Please let me know if you purchased a book through other sources.

Thank you,
An indie author learning a hard lesson
Sharon

Episode 1

Hunter’s Light, Pella’s Quest

At the conclusion of Thunder Prime: Fog Island, Pella Soames is twelve, an orphan, it would seem. She is the victim of circumstances beyond her control. But she has no intention of remaining a victim. She refuses to be dependent on anyone as she sets out to find her mother. Is Trish Soames still alive? Is she a slave in the freehold of Brutus Tauk, a Chandorian overlord?

Now a grown woman, with a transport business of her own, Pella uses all the resources available to find out the answers to these questions and rescue her mother. But getting on Chandor isn’t all that easy. Getting information is even harder. And she must take on work to support her quest. She and her crew of four keep her transport ship, the Polaris, functioning as it moves people and cargo across the known universe, a lucrative business that gets in the way of Pella’s goal. To find her mother…

ORP Cover imageAboard Polaris

The woman beats at her attackers. Her body splits apart as a RHACS drub enters her. Not the first one; not the first time.

“Run,” the woman shrieks. “RUN!”

And the child does.

Pella awoke bathed in sweat and dripping tears. A shudder of guilt and horror scraped like thorns across her skin. A familiar tone penetrated her wounded brain as she rolled off the bunk and stood.

“Soames!” Strong, controlled, unlike the turmoil centered in her gut.

“Captain, the shuttle is cleared to land on Chandor.”

Commander Gouyen Walker’s statement knocked residual effects of the nightmare to the back of Pella’s mind.

“Noted. Who’s taking him down?”

“Aoife. Wants to get him to talk.”

Not going to happen. Their passenger’s poor disguise fooled no one, but if he wanted to cling to the illusion of anonymity, so be it. His privilege. He’d hired them for transportation, not companionship. She couldn’t help but wonder. Goodwin Harp, self-appointed leader of New Way traipsing around the galaxy on a reconditioned transport?

“Hope she doesn’t expect much,” Pella said

“You know Aoife, looking to gain an inside track.”

She let the comment pass. “Notify me when the shuttle has landed on planet.”

“Yes, Captain.”

Pella dragged a shaky hand down her face. She had not intended to sleep, but several months in space jumping from one launch platform to another drove her to her bunk, and opened a door to the pain of her nightmares.

Like it mattered, awake or asleep, the dream pursued her.

She hid like a coward while Re-Hab Assimilation Camp human drubs traded off assaulting her mother. And then she ran away.

Pella hated to remember, but could not forget. It is what drives her. Somewhere in the galaxy her mother lives. Hear search will not end until she finds her.

Pella suspects her treacherous father knows where her mother is. She wants to find him, too, and ask that very question. After all, her mother is a captive because of his deceit.

Bile rose like a hot geyser. She hurried to her bathroom expecting to upchuck, but a few deep breaths and a cold cloth on her face calmed her unsettled system.

Her reflection in the mirror over the sink was anything but impressive, but she appeared to be in control, not at all the bundle of anxiety that ravaged her insides. Discipline was second nature to Pella.

“Captain?”

“Soames, here.”

“The shuttle has landed on Chandor.”

“Thanks.”

“And Captain?”

“Yes?”

“Adams’ cabin is clear and unlocked. Your visit will go unrecorded.”


Goodwin Harp
The gilded city flashed in the setting sun. Voluptuous exotic flora breathed poison into the atmosphere. Despite his mask and protective gear Goodwin Harp shivered, but didn’t slow down. He matched Emtet J’fal’s rapid pace step for step.

Harp’s rejuvenated body, massive ego, wealth, and an incredible memory convinced him he was superior to all other beings. Behind the mask and protective suit Harp had the appearance of a youthful and robust mid-fifties. His brilliant mind retained data he considered of import, including the contents of the book. He was the book. Should something happen to him before he reached his goal, everything would die with him, but he would not fail. He would become the greatest human who ever lived, bringing the Deity of Deities to the galaxy. And he would be immortal.

The skin on his face stung as icy fingers of cold penetrated the mask. Oh, how he hated this accursed place, but he needed these beings to solidify his standing galaxy-wide and establish New Way as the only way. First, he had to get to Bonnak Wallace, a direct descendant of the planet’s original settlers. Without Wallace’s support, New Way on Chandor was dead. And there were other compelling reasons to gain access to the planet. Perhaps it was best in the long run that his emissaries had been rejected, forcing him to come instead. Harp needed Wallace’s cooperation, but he needed Chandor’s rich resources of minerals and essential industrial gemstones more. He would not give up until he won Wallace over.

J’fal raised a cautionary hand. Harp stopped beside him with eyes lowered as a wizened Chandorian passed by flanked by guards and a bevy of exquisitely adorned Chandorian fems. Ugly as mud, to Harp’s eye, but no doubt real beauties by Chandorian standards.

So why, he wondered, did the males of Chandor seek true human fems, paying any price to possess one? Testosterone? It plagued every male in every species. Harp no longer had interest in fems for sexual purposes. When his sex drive diminished, he was glad to be rid of the animal urges of his body. Sex got in the way of ambition. Fems were nothing but trouble. For the same reason, he never had progeny. Filthy beggars all of them.

J’fal waved his hand bringing Harp back to the moment. He hitched his backpack higher on his shoulders as they moved on toward the government bureau entrance.

The door sighed open as they drew near and closed behind them with a hollow thud. Darkness was instant, followed by pinpoints of light that flashed randomly. Harp stumbled into J’fal.

“Fo can deca!”

Harp stilled, hiding the fury that raged through him. To have an inferior call him a clumsy shit deserved reprimand, but not now, not under these circumstances. But he would not forget.

A panel slid open revealing a well-lit austere waiting area. As they stepped through J’fal motioned to an industrial bin.

“Dispose of the protective garment and be seated. Wait until you are called. When you are ready to leave, I will bring a replacement protective suit and return you to your transportation.” With that he strode away and left through a door marked in universal galactic: No Entrance. Violators Will Be Detained.

Rumor had it that detainment meant being sent to the Chandorian mines never to be seen again.

Having been unceremoniously discarded like stinking garbage, Harp did as instructed. Under the protective garment, he wore a form fitting body suit. This he covered with a golden-threaded tunic from his backpack. His silver white hair, released from the confines of the protective suit, cascaded down his back in a shimmering fall. Confident his appearance was now appropriate for meeting the ruler of Chandor, he turned his attention to his surroundings.

Humanoid Assigned Need Artificial Intelligence units sat at terminals spaced around the perimeter of the room. At the center was an arrangement of upholstered chairs for the comfort of those who were waiting. The seats were empty.

Harp approached one of the male ANAIs. It continued working as though he didn’t exist. Harp resisted the temptation to pull out his weapon and obliterate the useless pile of components that made up the pseudo-human, and then remembered, he wasn’t carrying a weapon. It was not allowed.

Harp resented talking to any ANAI as though it were human, but he did not intend to spend hours in the waiting area when he was the only one with business to conduct.

“When will Director Jonfellow be available?”

The ANAI worked without pause as it spoke.

“You will be called.”

“I have an appointment.”

“You will be called.”

Harp seethed. He needed to make his case to Jonfellow and speak with Wallace. As a man of consequence across the galaxy it was reprehensible to be put off in this manner. Inexcusable! His lips thinned and for an instant a hint of his former visage appeared, his eyes fired by hate for everything beyond his control. Nevertheless, he was here as a petitioner. He must focus on his objective. He must bide his time.


Aboard Polaris
Pella sat back on her heels and looked around Harp’s Spartan cabin. There was nothing that didn’t support his claim to be James Adams, a galactic trader. Of the fourteen passengers the Polaris carried when it left Earth, Harp was the only one booked to Chandor, the planet most distant from Earth. Harp had kept to himself, requesting meals be sent to his cabin. He was traveling alone, no aides or servants. Suspicious. Every time Pella had seen him on VidNet, he was surrounded by guards and acolytes. She shrugged it off. No business of hers. He’d paid handsomely for privacy and special treatment. With his creds in her account, her business with him was done except for getting him safely to Alpha 9, his destination after leaving Chandor.

She accepted that her uneasiness stemmed from Adams/Harp being on Chandor, the place she wanted to be. Not that the Polaris crew hadn’t been on Chandor, but only with access to Shirefel, the only metro on the planet. It was one thing to deliver cargo to intake; quite another to have access to the holdings of the elite. And that was Pella’s goal. To get to the holding of Brutus Tauk. What she would do when she got there ran headlong into a wall of ignorance. It seemed an impossible goal. She had no contacts on planet and no way to access protective gear, the only way true humans, and most off worlders, could survive outside the city.

As she left Harp’s cabin and headed for command bay, she trailed her fingers along the walls in passing, still delighted – and sometimes unbelieving – that this beautiful ship belonged to her. Before it was the Polaris, it had been Thunder II, the second transport in the Casey clan’s original company. As the company grew, the transport had been relegated to use for parts. During the time she was still working for Jake Casey, she had asked to purchase it. No, he’d said, just take it. It’s no use to the company. Pella couldn’t abide the idea of accepting what amounted to charity. The Caseys had done enough for her. She struck a deal to haul cargo and passengers at half rate with the rest of her income going to pay the debt on Thunder II.

Three intense years of hard work earned her enough to make the ship hers. It had a new name and a new purpose. With the help of her crew she’d honed the Polaris into a sturdy craft, and created a successful transport company ferrying people and cargo about the galaxy.

She should have been content, maybe even that thing referred to as happy, but every time she began to get comfortable, she remembered her mother’s screams.


Thank you for reading the first episode of Hunter’s Light, a sci-fi novel featuring Pella Soames, a young woman who survived an attack on her village by Re-Hab Assimilation Camp humans (RHACS) when she was a child. RHACS destroyed the life she had known. Now, years later, she sets out to find her mother and get revenge against her father for his betrayal. To continue reading about Pella’s adventures, click below to buy a subscription to receive episodes as they are posted. You will be provided with a pass code to access the new episode on Friday of each week.

Subscription

Access to all episodes of Hunter’s Light, The Quest. When the book is complete, you will receive a signed print copy. Episodes will post weekly on Friday.

$16.00

 

 

Visibly invisible

pexels-photo-268833.jpeg

 

I want approval,

So I work to please others.

I seek accolades,

So I put in more time than anyone.

I must be remembered!

So I devote my time to selfless acts.

I make every effort to not offend,

So I don’t speak my mind.

I live to be noticed,

So I won’t be invisible.

In the end

have I pleased anyone?

Is acknowledgment given with rolled eyes?

Are my acts selfless or selfish?

Am I lost in the crowd?

Do I feel used and abused?

Do I ever take a stand?

Am I invisible?

 

Note: I wrote this after reading a book about women who try too hard and end up wearing themselves to a frazzle. Trying to be all things to all people is a sure road to becoming an emotional and physical train wreck.


Please Follow, Like, Comment and Share this post. Your feedback is important to me. Thanks for reading One Roof Publishing Magazine. The publisher may be reached by e-mail at fsharon@msn.com.

What makes Las Vegas special II

Viva Las Vegas! Sign at Charlie's
A sign at Charlie’s Bakery & Cafe on Douglas Ave. – Las Vegas, NM

Earlier in February I wrote a post asking, “What makes Las Vegas special?” I posted a similar question on Facebook. I got such great feedback from the Facebook post, I decided to print all the responses here and share them. These responses tell the story of Las Vegas from the heart of the people who live here. If you want to add your thoughts, please add a comment, or e-mail fsharon@msn.com and I’ll add it to this list so it becomes part of the main body of the post.

Mark Gillingham: There is live music nearly everywhere you look in Lil LV.

Kayt C. Peck: This town has more talent per capita than any place I’ve ever lived.

Victoria Evans: NMHU music department and their wonderful shows that showcase students and community members.

Annette Velarde: Great food, artists, galleries, Fiestas, Roughrider Rally, history, film, tourism, astronomy, clear skies, music, outdoor adventures, animal watching, true stories of outlaws, railroad history, cowboy history, ghosts, educational institutions…

Joan Minner: Free movies at Ilfeld, great pizza, a sweet little bowling alley, art galleries, great music, movie theater, and the friendliest people I’ve ever met. I could go on and on, but I don’t want to repeat what others have said. Oh – and a great university that is just getting better and better

Patrick Alarid: Rich multi-cultural history, superstitions, architecture and faith.

Pam Abreu: I love that I can run in to people I have known for decades and people I have just recently met. Having a shared history and shared memories with so many people is priceless.

Barbara Casey: LV has an abundance of volunteers who provide necessary services to the people in the community. CASA volunteers, CCHP, Samaritan House, Literacy Council, EDC, Friends of the Library, Food kitchens… the list goes on and on!

Carol Cutler Linder: Diversity of the people, the landscape, the buildings, the views (expressed and visualized), ideas, weather, talents, education levels, educational opportunities, ages, wildlife, and most of all friendships

Tori Crawford Conway: After being away for a year, I miss playing with the Rainbow Ringers at the Presbyterian Church.

Juli Salman: Great weather for exercising outdoors, friendly community of runners and cyclists, Highlands University is ranked near the top of the nation’s schools for ROI and upward mobility.

Judy Long: Incredible sense of community and support.

Richard Lindeborg: No matter where I am in town, I am just a few minutes away from seeing or being in the mountains or the prairies,

Rosalie Lopez: The uniqueness and acceptance of Las Vegas. More to do here and to be involved with here, than most towns this size.

Lupita Gonzales: Came here over 50 years ago because of NMHU, and that was just the beginning of my odyssey!

Jill Baskerville: Kissing the sunshine

Kathy Hendrickson: All of the above plus, Montezuma Hot Springs and Montezuma Castle/ UWCUSA, Historic Plaza Hotel, Castaneda Hotel, Media Arts Building, which is in the Trolley Barn ( McCaffrey Building), and Mayeur Project, the amazing Dwan Light Sanctuary. Over 900 Historical homes and buildings. Historic home tours and walking tours.  The theme for PWAP (Places With a Past) in August will be The Rejuvenation of Las Vegas! All these places have or – are being – rejuvenated! Spend a day touring Las Vegas with Southwest Detours. www.southwestdetours.com.

Rosa Latimer: Creative energy abounds!

Jim Abreu: Smiles, friendly greetings, classic upward nod of the chin to say “Hi.” Grit, Charm…Heart…

Nan Colalillo: Fundraising dinners by non-profits.

RaeDawn Price: When I think about why I love living in Las Vegas, I think about family and the friends that have become family. I love the coffee drinkers at the different restaurants. Seeing a group gathered over a cup of coffee warms my heart.

Cindy Collins: New businesses and renovations: E. Romero Fire & Acequia Museum, Castaneda Hotel, the Skillet, Olivia’s Cafe, Mayeur Projects, Borrachos, JC’s Pizza, Indigo Theater, PLAZA HOTEL, Palms Event Center, Serf Historic event venue, Charlie’s Event venue, NMHU Media Arts Center in old trolley building, 70 trees on Douglas, new benches and trash cans, Rawlins Building with upstairs apartments and two retail spaces!

Kathleen M. Rodgers: Castaneda Hotel! Can’t wait to stay there once the renovations are done.

Richard Lindeborg: Moving back to Las Vegas after four decades away, it was a delight to discover the connectedness of having peers whose grandparents and parents I knew, as well as their children and grandchildren.

Lydia Palomino: The beautiful people… traditions

Carol Ditmanson: Two national parks – Fort Union National Monument and Pecos National Historical Park in our neighborhood!

Sherrie Doke: We still miss LV so much and we moved away 27 years ago! It is such a unique, caring and busy place to live. The people are so varied and talented.

Paula E. Geisler: Arrott Art Gallery (now closed)

Jeanette Yara: History

Izzy Manning: People look you in the face and say good morning and smile.

Connie M. Coca: Plaza Hotel, Montezuma Castle, Highlands University, historical buildings and homes. Culture, music, language. The 4th of July Fiesta and especially friends and family. Radio stations. Mexican or southwestern New Mexico food. Our churches of all denominations.

Juanita Estrada: Who is not to Love a community where everybody knows everybody and every body’s business, but yet love one another. Viva Las Vegas!

Rose Contreras-Taylor: Beautiful parks – Plaza park, Lincoln Park, Carnegie park

Kristin Reidy: Sharon, I love working in Las Vegas and can never get enough peaceful time at the ranch. At work I often call a patient into an examination room for their eye appointment and they ask if they can wait a little longer so they they can finish a conversation with an old friend! The beauty of Vegas. Time stops and we appreciate what matters.

Kerry Holderbaum: The sight of Hermit’s Peak brings a smile each time I come home and a tear each time I leave.

Margaret Villanueva: Driving north on 84,  the old adobe church in Gilia and the sight of Hermit’s Peak in the distance, the piñones…  Almost Home!

Dolores Dodie Maese: Our nearby public lands!

Susie Tsyitee: We should brainstorm and celebrate our assets at least once a year! Thanks, Sharon! I love this thread!

Lydia Lovato: What I like about Las Vegas are the people when someone dies they are there to support you and comfort you the community pulls together.

Charlie Sandoval: History, culture, and New Mexico Highlands University

Robert Vander Meer: Location, location, location!


Please Follow, Like, Comment and Share this post. Your feedback is important to me. Thanks for reading One Roof Publishing Magazine. The publisher may be reached by e-mail at fsharon@msn.com.

 

Historical photos gain new life

(NOTE: For an overview of this book’s development, go to Historical photo book arriving soon on this website.)

“How can the Friends (of the City of Las Vegas Museum) help to get this important resource more accessible to the public?” That was the question board members considered when they discovered the museum had many archived historical photos in its possession, mostly in storage. The journey to create a photo book to achieve that goal began in 2009. Board chair Bob Mishler said the expectation is that Las Vegas, New Mexico ­– 1835-1935, sponsored by the Friends of the City of Las Vegas Museum, will be printed by April 2018. A discussion on exact price of the book – expected to be between $39.95 and $44.95 – is underway, and will be announced soon.

Mishler credits author/editor Edwina P. Romero (Patti), and dynamic interaction with selected members of the subcommittee, with the book’s evolution into a more interpretative offering of Las Vegas’ first century.  “The various descriptive bits and pieces were woven into a tapestry of people and lifestyles,” he said. “It became more of a social and cultural ethnographic record of the people of early Las Vegas as documented through time.”

Patti RomeroRomero, the author of two historical nonfiction books, is an historian at heart. She worked diligently to assure accuracy and authenticity in Footlights in the Foothills, Amateur Theatre of Las Vegas and Fort Union, New Mexico, 1871-1899, and Cowboy Reunions of Las Vegas, New Mexico. She is currently at work on her first historical novel, Prairie Madness, set at Fort Union and in Las Vegas, while also dedicating the bulk of her time to her role as author-editor of Las Vegas, New Mexico ­– 1835-1935.

Romero’s education includes a BA at California State University Dominguez Hills, an MA at New Mexico Highlands University, and her Ph.D. at the University of New Mexico. She describes herself as a mother, author, former Assistant Professor, former academic administrator, and former horse trainer.

In the following Q&A, she talks about her experiences working on the Las Vegas photo book.

ORP: How did you become involved in the Las Vegas photo book project?
Patti: The early concept for this book came about while I was working at the City of Las Vegas Museum (CLVM). The book sub-committee of the Friends of the City of Las Vegas Museum and Rough Rider Memorial Collection (Friends) met at the CLVM. As an employee, I was aware of the project as one of several museum activities. Then, because I was familiar with the Museum’s photograph collection, I was given the task of searching that collection for images to add to the book.

Several years later, Bob Mishler (Friends chair), contacted me about writing extended historical captions. When I delved into the possibilities of taking on this project, I saw that the task required large-scale organization and editing to determine the best, most accurate way to approach the captions. So I submitted a proposal to do the work.

ORP: What appealed to you about working on this project, which was in development when you took it on?
Patti: First, the photographs themselves grabbed me. My first books, Footlights in the Foothills, Amateur Theatre of Las Vegas and Fort Union, New Mexico, 1871-1899, and Cowboy Reunions of Las Vegas, New Mexico, examine two aspects of Las Vegas history, but these period photographs show the larger context—the bigger picture in which amateur theatre and ranch life had taken place.

The second thing—I have to admit—was the challenge. The project had been in the works for several years, but work on it had been suspended for awhile. I saw great potential in publishing a book using period photos to reveal as much of the fascinating history of Las Vegas as could be contained within the limits of a book.

ORP: What was the driving force behind the project in its early stages? How has that changed, or has it?
Patti: I was not directly involved in the early stages of the project, which involved several people and a Friends book sub-committee. When I got involved, it seemed that the original concept was oriented toward the film industry while telling the history of Las Vegas. During the early stages, fourteen historical essays from several historians as well as narratives and photographs from community members—all solicited by the Friends—had been approved, adding a heavier focus on history.

My driving force, keeping the book sub-committee’s objectives and previous work in mind, was to put the materials into a book that people would want to read, enjoy, and learn from. I proposed to narrow the approach to a specific historical time frame—1835-1935—and a specific location—the communities of Las Vegas. Also, I made showcasing the CLVM’s historical photograph collection a priority, and I suggested adding images and topics for side bars—biographical profiles and short write-ups of events.

ORP: Talk about the photo selection process. I understand that in addition to selecting the photos, research to determine source and attribution was required. What was that like?
Patti: Criteria for selection included aesthetics, time period, relevance to the major topics within the book’s time period, authenticity, and availability. Once images met these criteria, they needed to “pass inspection” by the book designer, in other words: Would the photos reproduce well?

For me, the toughest parts of selection—and de-selection—were determining dates, authenticity, and origins, and securing permission to publish copyrighted images/narratives. Next came matching photos with the ongoing narrative of the people and events in the history of Las Vegas from 1835 to1935. This involved long hours examining notes written on the photos, the data from the repositories about the photos, historical books and narratives, and what the image itself indicated through clothing, vehicles, background buildings, etc. The copyrights for several images were held by individuals, it was often hard to find these people to get their permission. Fortunately, throughout the project, I had the help of staff members and volunteers.

ORP: As the author-editor, what were your priorities when you first became involved?
Patti: I wanted to make this book pop.

When I began work, materials for the book included several hundred photo-copied images (many duplicates) from a variety of repositories and covering many historical periods and geographical locations—in addition to fourteen essays, assorted narratives and notes (authors unidentified), and historical materials from community members.

My priorities began by getting familiar with all this stuff, finding the best way to present it to readers, while at the same time, honoring the known and unknown histories of Las Vegas and making it a “good read.”

ORP: There are historical essays, and of course photo captions. What were the sources of information to flesh out the book’s content?
Patti: The historian-authors’ essays include sources cited or consulted.

Las Vegas Book
New book title page. Edwina P. Romero, author and editor; designer Christian Kenesson (Kenesson Design, Inc.)

For the extended historical captions, sidebars, and introductory materials, I consulted the following: published books and articles, newspaper accounts, the Internet, the notes and essays that were part of the boxes of materials the sub-committee gave me, unpublished works and old histories in the CLVM archives, Donnelly Library, Carnegie Library, and various New Mexico state records data bases. In addition, I talked to people.

ORP: In what ways has the graphic designer (Kenesson Design, Inc.) been helpful in organizing the book’s visual appeal and presentation?
Patti: First, Kristin Kenesson approved for publication the selected images. Sometimes, she added images from her stock that would further enhance the appearance. She designed the layout, color scheme, and various fonts for the type—all beautiful. She often asked good questions about Las Vegas, which sometimes pointed to a need for more detail. And, because of her visual arts background, she provided options for ways to express history, which were both challenging and affirming.

ORP: Although the book was in process when you contracted with the Friends, there was still a vast amount of information in need of organizing or prioritizing. What was most important to you at the outset of your involvement?
Patti: The human side of history. I kept it in mind as I organized, re-organized, selected material and photos—and discarded others. During this part of the process, I constantly reminded myself that the story is about the people of Las Vegas—to whom the book is dedicated.

ORP: What is the most compelling reason for people to buy this book?
Patti: It’s big, beautiful, and readable, and it tells stories of Las Vegas and its people.

ORP: What is the one thing you got out of this experience that will stay with you in your life and writing career?
Patti: This is my “last hurrah!” What will stay with me as I return to fiction-writing are the rewards of personal perseverance and accepting the help of others. I learned to co-ordinate and co-operate with staff, volunteers, a book designer, committee members, sponsors—and interviewers. A writer does not always write alone.

Photo Credit Romero: David P. Pascale


Please Follow, Like, Comment and Share this post. Your feedback is important to me. Thanks for reading One Roof Publishing Magazine. The publisher may be reached by e-mail at fsharon@msn.com. Image of book cover used by permission Friends of the Las Vegas City Museum

 

Little Thoughts

A new day

 

Little thoughts?
You think you aught
Not speak your dreams?
Yet from your heart hope streams and screams.

Make your choice,
Raise your voice!
Speak those words of deepest valor,
Yes, believe! You have the power.

No little thoughts, your heart’s desire,
Your’s a life full of hope and fire.
Clearly define your fresh new way,
May tomorrow be your perfect day.


Please Follow, Like, Comment and Share this poem. Your feedback is important to me. Thanks for reading One Roof Publishing Magazine. One Roof Publishing may be reached by e-mail at fsharon@msn.com. Publisher and primary writer, Sharon Vander Meer. Guest posts are welcome.